The event took place at Thinktank, Birmingham Science Museum, and was jointly organized by students from Biomedical and Natural Sciences and students from Liberal Arts of the University of Birmingham. The event was offered under the initiative called Café Culturel.
This initiative proposes multidisciplinary discussions on topics of current interest from the arts and the sciences which emerge from the cultural offerings in and around the area of Birmingham. Expert panellists are invited to give 10 minute presentations after which there is room for questions and discussion with the audience. The events are open not only for students but also for the general public; and the talks are meant to reach such wide audience.
In October, the Royal Shakespeare Company presented King Lear on Stratford-upon-Avon. On the occasion of this visit, the event Cognitive Decline: Presentations and Representations proposed a discussion on the topic of how neurodegenerative diseases are represented in the arts and in the clinical sciences.
Neuroscientist Emil Toescu explained that King Lear has been regarded by the critics as a tragedy of a powerful figure whose material and mental world fall apart piece by piece, and that Lear’s journey could be interpreted an acute depiction of the behavioural changes associated with the cognitive decline produced by degenerative mental diseases.
One of the members of the panel was Dr. Femi Oyebode, Professor of Psychiatry at the University of Birmingham and Consultant Psychiatrist for Birmingham and Solihull Mental Health Foundation Trust. Oyebode provided conceptual precision on mental disorders, and talked about what he thinks psychiatrists, Shakespeare and theatre audiences share.
Oyebode's last book Madness at the Theatre investigates the representations of psychiatric disorder(s) in the western theatrical arts from ancient till present times. Oyebode talked about how both psychiatrists and dramatists are concerned with describing and portraying extreme mental states. He explained that Shakespeare’s description of Lear’s awareness of his own cognitive decline is a good example of descriptive psychopathology of the disintegrative disorder in theatre.